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Free Artist Reference Books and e. Books. Oil Paintingwith Eight Plates (Four In. Color) and 1. 7 Diagrams by Stephen Bone, 1. Published Princeton, N. J. : Van Nostrand, ©1.
IF you have not painted before, or not painted with oil paint before,you are naturally impatient to begin. In that case, go ahead and begin. There is a great deal to be saidfor getting paints and brushes and starting to paint before readingthe rest of this book. After even half an hour's work you will haveexperienced some of the delights of oil painting and have en- countered a few of the difficulties. But, before starting to paint, you must have some paints, somebrushes, a surface to paint on, and a few other things. Buy onlywhat is really necessary; the initial stages are quite difficult enoughwithout trying to learn how to handle a dozen different tools at once. Your requirements will be paints, 'thinners', brushes, boards orcanvases, a palette, a palette knife, an easel, and a paintbox.
Letus take them in this order.."Hathi. Trust Digital Library. See site info on downloading Download PDF pages and book. Read Online. Oil Painting Methods and Demonstrationsby HENRY GASSER, N. A, ©1. 95. 3 all rights reserved,Reinhold Publishing Corporation. Second Printing 1. Third Printing 1.
TABLE OF CONTENTS (partial) Painting equipment ,,,6. Studio equipment ,,,6. The Selection of Colors and Painting mediums ,,,9. The selection and care of brushes ,,,1.
The use of the various brushes ,,,1. The various painting surfaces ,,,1. Color ,,,1. 6Color mixing ,,,1. Composition ,,,2. Strengthening the design ,,,2. Enlarging a sketch ,,,2. Landscape painting ,,,2.
Painting directly in color ,,,3. The autumn scene ,,,3.
The waterfront ,,,4. Summer yard ,,,4. The street scene ,,,5. The industrial scene ,,,5.
Painting a nocturne ,,,6. The winter subject ,,,6. Casein as a base for oil painting ,,,7.
Use of casein for an oil painting ,,,7. Painting on a gesso base ,,,8. Palette knife painting ,,,8. Demonstration of palette knife painting ,,,8. The use of the imprimatura ,,,9.
Glazing and scumbling ,,,9. Underpainting ,,,9. Glazing over a drawing ,,,1. Demonstration of glazing and scumbling ,,,1. Studio painting ,,,1.
Dynamic composition ,,,1. Introducing figures into a landscape ,,,1. Figures in a landscape Ill. Moving figures in a landscape ,,,1. Source material for studio painting ,,,1. Dramatizing a subject ,,,1. Doctor Who Season 4 Download Episodes. Painting a portrait of a house ,,,1.
Salvaging a painting ,,,1. The amateur painter ,,,1. Varnishing and preserving of oil paintings ,,,1.
Hints on framing ,,,1. Hathi. Trust Digital Library. See site info on downloading PDF pages and book.
Read Online. An Accidence, or Gamut, of Painting in Oilby Julius Caesar Ibbetson, 2nd Ed. The cloths used at present for painting upon, are prepared in the worst and most dangerous manner imaginable. The colourmen, to whom every thing is left, begin by brushing the cloth over with strong glue, to lay the flue, and prevent its absorbing any oil, as I suppose: then, with stiff paint, the greatest part of which is whiting, they plaster over the glue twice, seldom three times; it is then done, when the exciseman has stamped it.
In a very short space of time, if kept in rolls, it gets so brittle, that it would be as easy to unfold a manuscript of Herculaneum as this, without breaking or cracking in ten thousand places. If the picture be hung in a damp place, it comes off altogether, in great flakes; and in time, with the greatest care, it becomes covered with circular cracks, like net- work, for which there is no remedy. Watch Snow Flower And The Secret Fan Online Hoyts. It ought to be prepared with very thin starch, and rubbed while wet with a rubber- stone, to lay the flue smooth, and painted with proper thin color several times: when the paint unites with the canvass, it is flexible, will never crack, and will endure for ages.
In Holland, and even Dublin, their cloths are far superior, and very pliable."PDFRead Online.